Friday, February 14, 2020: OPTIC Analysis

Happy Valentine’s Day and last day before break! Today, we will take a break from The Other Wes Moore to complete an OPTIC analysis on two pieces of visual text. Analyzing a visual text means that whatever you’re analyzing is a visual medium – think photographs, political cartoons, book covers, paintings, sculptures, posters, and even TV, movies, and documentaries! To those of you hanging back from the field trip, don’t worry – your classmates are doing this same assignment at the High Museum 🙂

For the purposes of your assignment, please choose TWO of the visual texts below. Use the guiding questions within your graphic organizer to answer each question in the corresponding boxes of the OPTIC.

Overview: When you look at the cartoon, what is the first impression you receive? What do you think is happening in this cartoon?

Parts: ​What are the different parts or pieces of this cartoon? Break the cartoon into small pieces using artistic terms to explain what you see.

Theme: What is the theme of this cartoon? What is the message that is being conveyed through the visual?  What is the artist trying to “tell” you about their piece?  Be very specific with your explanation.

Interrelationships: How do all of the pieces in the cartoon relate to each other? What is the relationship between the central figures and the foreground/ background? What symbolism is present? What is the overall mood of the cartoon?

Conclusions: When searching for the conclusion of this cartoon, look for the artist’s purpose.  Why was this cartoon designed in this way?  Be specific.

 

Political Cartoon Options (please number on your paper):

3ee59-mike91201

1. by Mike Luckovich

just-add-money

2. by Steve Greenberg

americandream

3. by Monte Wolverton

cartoon

4. by David Horsey

its_true

5. by Ed Stein (hint: consider what year this cartoon was drawn)

17688

6. by Andy Singer

mike_luckovich_mike_luckovich_for_02182014_5_

7. by Mike Luckovich

00-05-12-political-cartoon-slashing-spending-02

8. by David Horsey

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